- Beveridge, David R. “Czech Patriotism in an Overture Inspired by Brahms: Dvořák’s Husikská.” Hudebni véda 60, no. 1 (2023): 23–34.
- Bozic, Renate, and Harald Haslmayr. “Musiktheoretische Implikationen im Briefwechsel zwischen Elisabeth von Herzogenberg und Johannes Brahms.” GMTH Proceedings (2022): 215–26.
- Brodbeck, David. “Goldmark’s ‘Thoughts on Form and Style’—and on the Wagnerians’ Anti-Semitism.” Nineteenth-Century Studies 33, no. 1 (December 2021): 46–72.
- Grimes, Nicole. “Manifestations of Death in the Music of Johannes Brahms.” In Music and Death: Funeral Music, Memory and Re-evaluating Life, edited by Wolfgang Marx, 93–109. Woodbridge, Suffolk: Boydell, 2023. ISBN 978‒1‒83765‒064‒4
- Hiršová, Ivora. “The Reception of Johannes Brahms’s Work in the Czech Lands between 1877 and 1897 Based on the Magazine Dalibor.” Musicologica Olomucensia 33, no. 2 (2021): 336–41.
- Ickstadt, Andreas. “Individualstylistik und Zeittypik: Über Brahms’ semantische Toposbildung im Umgang mit satztechnischen Modellen.” GMTH Proceedings (2022): 141–53.
- Kim, Ji-Young. “A Melody and Its Afterlives in Piano Music by the Schumanns and Brahms.” 19th-Century Music 46, no. 3 (Spring 2023): 217‒43.
- Lau, Wing. “Extreme Meter Changes and Tempo Giusto in Some Songs by Brahms.” Music Theory Spectrum 45, no. 1 (Spring 2023): 42–70.
- Leitmeier, Christian Thomas. “Creativity, Performance and Problems of Authorship: Clara Schumann’s Cadenzas for Mozart’s D minor Concerto, K466.” Nineteenth-Century Music Review (2023), First View published online.
- Loges, Natasha. “Hafiz between Nations: Song Settings by Daumer/Brahms and Peacock/Beamish.” In Song Beyond the Nation: Translation, Transnationalism, Performance, edited by Philip Ross Bullock and Laura Tunbridge, 13‒29. Oxford: Oxford University Press, 2021. ISBN 9780197267196
- Phillips, Reuben. “The Resonance of the Romantic Horn Call in the Reception of Brahms’s Trio, Op. 40.” Nineteenth-Century Music 47, no. 2 (Fall 2023): 129–54.
- Taylor, Benedict. “Feinting Repeats, Repeating Feints: The Developmental ‘Double Return’ in Brahms and Sonata Theory Typology.” Journal of Music Theory 67, no. 1 (April 2023): 71–98.
- Vaillancourt, Michael. “Furtwängler and Brahms: Performing Sublime History in the ‘Germaniasymphonie.’” International Review of the Aesthetics and Sociology of Music 54, no. 1 (June 2023): 49–68.
- Weitzer, Adam. “‘The Vibrant, Passionate Human Soul He Was’: Robert Haven Schauffler’s The Unknown Brahms (1933) and the American Middlebrow.” Context: A Journal of Music Research 48 (2022): 83–96.
The American Brahms Society updates its publications pages twice a year. Those who wish to see earlier lists of publications, please consult the relevant issue of the American Brahms Society Newsletter.