- Allis, Michael. “Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy for Brahms.” Music & Letters 103 (2022): 430‒63.
- Banks, Jon. “Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings.” Music & Letters 102 (2022): 758‒82.
- Barolsky, Daniel. “Composing Performances: Ernst Levy, Brahms, and the Handel Variations.” Quodlibet: Revista de especialización musical 76 (July–December 2021): 35–53.
- Behan, Adam. “Large-scale Structure, Performance, and Brahms’s op. 119 no. 2.” Music Analysis 40, no. 1 (March 2021): 104–30.
- Boyd, Clifton. “Metrical Ambiguity in the Scherzo of Brahms’s String Sextet, op. 18.” Music Theory and Analysis 8, no. 1 (April 2021): 41–60.
- Chang, Joanna. “Recontextualizing Brahms’s Handel Variations Op. 24 through Robert Volkmann and Emanuel Moór.” Nineteenth-Century Music Review 19 (2022): 1‒29.
- Cubero, Diego. “Blurred Harmonies in Robert Schumann and Johannes Brahms.” Intégral: The Journal of Applied Musical Thought 35 (January 2022): 1–25.
- Daza Palacios, Salvador. “Johannes Brahms en la prensa española de su tiempo.” Diferencias: Revista de música del Conservatorio Superior de Música “Manuel Castillo de Sevilla” 7 (2022): 219–56.
- Horton, Julian. “Beethoven’s Error? The Modulating Ritornello and the Type 5 Sonata in the Post-Classical Piano Concerto.” Music Analysis 40 (2021): 353‒412.
- Horton, Julian. “Romantic Languages.” In The Cambridge Companion to Music and Romanticism, edited by Benedict Taylor, 231–57. Cambridge: Cambridge University Press, 2021. ISBN 9781108466875
- Liu, Lucy Y. “Brahms’s ‘Musical Prose’ Reconsidered.” Music Analysis 41 (2022): 50‒93.
- Llorens, Ana. “Brahmsian Articulation: Ambiguous and Unfixed Structures in op. 38.” Music Theory Online 27, no. 4 (December 2021): 237–77.
- Martín Arnedo, Santiago. “Brahms cabe Goethe: la rapsodia para contralto.” Sinfonía virtual: Revista de música clásica y reflexión musical 43 (Summer 2022).
- Morton, Marsha. “Max Klinger’s Brahmsphantasie: The Physiological Sublime, Embodiment, and Male Identity.” Nineteenth-Century Art Worldwide 21, no. 1 (2022).
- Murphy, Scott. “Contextual Dyadic Transformations, and the Opening of Brahms’s Op. 5 as a Variation of the Opening of Schumann’s Op. 14.” MusMat: Brazilian Journal of Music and Mathematics 6, no. 2 (2022): 1–16.
- Mutch, Caleb. “Canons and Contestable Cadences in Brahms’s op. 118, no. 4.” Music Theory and Analysis 8, no. 1 (April 2021): 143–52.
- Newbould, Brian. “Schubert, Brahms, and the Sarabande.” The Musical Times 162, no. 1955 (Summer 2021): 65–76.
- Ramming, Teresa Cäcilia. “Händel und Brahms: Hintergründe zu einer Händel-Ausgabe von Moscheles aus dem Besitz von Johannes Brahms.” Göttinger Händel-Beiträge 22 (2021): 9–27.
- Rost, Henrike. “Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert.” Fontes artis musicae 69, no. 3 (July–September 2022): 206–27.
- Schmalfeldt, Janet. “‘Nineteenth-Century Subdominants.’” Music Analysis 41 (2022): 349‒93.
- Smith, Peter H. “Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century.” Music Analysis 40, no. 3 (October 2021): 534–78.
- Sumner Lott, Marie. “Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music.” In The Clarinet, edited by Jane Ellsworth, 178–207. Eastman Studies in Music 179. Rochester: University of Rochester Press, 2021. ISBN 9781648250170
- Terrigno, Loretta. “Emergent Modality: Minor-to-Major Progressions as “Tragic-to-Transcendent” Narratives in Brahms’s Solo Songs.” Music Theory Online 27, no. 3 (September 2021): 74–126.
- Willis, Laurence Sinclair. “Stones and Arches: Compensation in Ternary Piano Works of Johannes Brahms and Max Reger.” Music Theory and Analysis 9 (2022): 1‒27.
- Yoko, Maruyama. “Brahms’ Stilwandel in der Klangkonstruktion der Streicherkammermusikwerke.” Die Musikforschung 75 (2022): 53‒77.
The American Brahms Society updates its publications pages twice a year. Those who wish to see earlier lists of publications, please consult the relevant issue of the American Brahms Society Newsletter.