- Chernaik, Judith. “Brahms in Conversation with Bach: the Violin Chaconne Arranged for Piano, Left Hand.” The Musical Times 164, no. 1965 (Winter 2023): 75–88.
- Chuan, Bryan. “Paying Tribute and Looking Forward: Stylistic Influences and Innovations in Max Reger’s Sechs Intermezzi, Opus 45.” MTNA e-journal 16, no. 2 (November 2024).
- Eber, Anselm. “Bilder aus Wien: Clara Schumann und die Familie Fellinger.” In Clara Schumann: Alltag und Künstlertum, Schumann-Studien 14, edited by Thomas Synofzik and Michael Hennemann, 114–42. Würzburg: Königshausen & Neumann, 2023.
- Greenberg, Yoel, “Baroque Dance Topics and Their Politics in Brahms’ Piano Quintet Op. 34.” In Musical Networks Across Borders: The Multiplicity of Musical Creation, edited by Bella Brover-Lubovsky and Irit Youngerman, 127–44. Ad Parnassum 15. Bologna: Ut Orpheus Edizioni, 2025. ISBN 978–88–8109–546–9
- Haskins, Rob. “Interactions Among Three Mavericks in the 1960s.” In Leonard Bernstein in Context, edited by Elizabeth A. Wells, 66–74. Cambridge: Cambridge University Press, 2024. ISBN 978–1–108–83570–1
- Addresses Glenn Gould’s performance of Brahms’s Piano Concerto, Op. 15, with the New York Philharmonic.
- Kesting, Hanjo. Vorklang des Paradieses: Musikalische Streifzüge. Hanover: Wehrhahn, 2024. ISBN 978–3–98859–029–9
- “Denn alles Fleisch, es ist wie Gras: Johannes Brahms–Ein deutsches Requiem,” 308–28
- Kirsch, Kathrin. “(Fast) alle oder keine: Zur Neu-Edition der Streichquintette und des Klarinettenquintetts von Brahms bei unterschiedlicher Überlieferung von Druckkorrekturquellen.” In Edition zwischen Komponist und Verleger, edited by Armin Raab and Kathrin Kirsch, 97–117. Studien und Materialien zur Musikwissenschaft 119. Hildesheim: Georg Olms, 2023. ISBN 978–3–487–16244–7
- Lengová, Jana. “Stephanie Wurmbrand-Stuppach and Her Piano Works.” Trans. Veronica Zitta. In Women in Nineteenth-century Czech Musical Culture: Apostles of a Brighter Future, 155–72. Abingdon: Routledge, 2024. ISBN 9781003264606
- Loges, Natasha. “The Late Nineteenth-century Concert as Applied Musicology.” In The Routledge Companion to Applied Musicology, edited by Christopher Dromey, 34–45. New York: Routledge, 2024. ISBN 978–0–367–48824–6
- Includes discussion of Brahms’s performances of choral music with the Wiener Singakademie.
- Murphy, Mark. “Vagaries of Harmony: Global Major-third Relations in the Instrumental Music of Brahms.” Nota bene: Canadian Undergraduate Journal of Musicology 17, no. 1 (2024): 1–23, doi 10.5206/notabene.v17i1.17178.
- Schick, Tobias. “Fremdbezüge und Transkriptionsverfahren in Franz Martin Olbrischs Instrumentalmusik.” Musik-Konzepte 203 (2024): 22–51, 120.
- Considers Brahms’s Clarinet Trio, Op. 114 as a model.
- Thompson, Herbert. “Bradford Permanent Orchestra. Women as Violinists.” In The Reminiscences and Selected Music Criticism of Herbert Thompson, edited by Michael Allis and Paul Watt, 245–46. Clemson: Clemson University Press, 2024.
- Article originally published in The Yorkshire Post, 15 February 1926. Discusses a performance of Brahms’s Violin Concerto by Jelly d’Aranyi.
- Toelle, Jutta. “Is It Time for Brahms Again? The Many Roles of Classical Music in the German-Speaking Lands in 2023.” In Classical Music Futures: Practices of Innovation, edited by Neil Thomas Smith, Peter Frank Peters, and Karoly Molina, 191–204. Cambridge, UK: Open Book Publishers, 2024. ISBN 978–1–80511–074–3
- Youssef, Catherine Ezzat Saad, Dawood Mohammed Samir, and Rania Ahmed Badr. “Tanwīʿāt Brahms wa-dawrūhā fī iṯrā’ al-irtiǧāl al-mūsīqī”/“Brahms’s Variations and Their Role in Enriching Musical Improvisation” [in Arabic]. Maǧallaẗ ʿulūm wa-funūn al-mūsīqá 53, no. 3 (January 2025): 1771–95,
The American Brahms Society updates its publications pages twice a year. Those who wish to see earlier lists of publications, please consult the relevant issue of the American Brahms Society Newsletter.