Paper presented at the conference Figured Bass Accompaniment in Europe, Brescia, Italy, 9–12 September 2021:
Martin Ennis (University of Cambridge), “‘Quod licet Bacho non licet Francisco’: Reevaluating the Continuo Realisations of Johannes Brahms and Robert Franz”
Paper presented at the 17th International Congress of the Gesellschaft für Musikforschung, Universität zu Bonn, Germany, 28 September – 1 October 2021:
Martin Ennis (University of Cambridge), “Relocating Brahms’s ‘glorious nation’: new light on the origins of the Fest- und Gedenksprüche, Op. 109”
Paper presented at the 58th Annual Conference of the Royal Musicological Association, University of Durham, UK, 8–10 September 2022:
Martin Ennis (University of Cambridge), “Brahms’s ‘zweite Diatonik’: the legacy of late sixteenth- and early seventeenth-century harmonic practices in the later motets of Brahms”
Papers presented at The Violin Sonatas of Johannes Brahms: A Concert and Symposium, Indiana University, Bloomington, 10 September 2022:
Heather Platt, “Brahms’s Op. 78 and the Op. 59 Regenlieder: A Fantasy in Context”
Ryan McClelland, “Metric Dissonance and Flow in Brahms’s Violin Sonatas”
Frank Samarotto, “The Sonic Landscapes of Brahms’s Op. 108, i”
Joel Lester, “Thoughts about Brahms’s Violin Sonatas and a Lot More . . .” (keynote lecture)
Paper presented at the annual meeting of the AMS/SMT, Denver, CO, 9–12 November 2023:
Loretta Terrigno, “Paths towards bII and Revelations of Loss in Brahms’s Songs”
Paper presented at the Western Society for Eighteenth-Century Studies, San Francisco, CA, 16–17 February 2024:
Tekla Babyak, “Song of the Fates: Goethe, Brahms, and Eighteenth-Century Futures”
Paper presented at the annual meeting of the AMS, Southern Chapter, Baton Rouge, LA, 23–24 February 2024:
William Horne, “Networks of Note(s): Brahms, Joseph Joachim, and Woldemar Bargiel Among the Schumannianers”